'Rani made it very clear when she signed the film that she would shoot only during her daughter's summer vacation so as not to disturb her role as a real life mother.'
Goodbye makes ordinary places, ordinary people and ordinary events become interesting, observes Mayur Sanap.
A Nedumudi Venu character was happiest when moving his head to a piece of music with his eyes closed; or, when inventing off of a note that a co-actor had left unfinished; or, when reciting a poem by Kavalam Narayana Panicker where a hymn about nature descends into a musing about cheating, depression and death, feels Sreehari Nair.
'If questioning and dethroning hierarchies is your primary motive, why not put an end to the practice of announcing your shining star, your box office draw, in big flaming letters and mentioning everyone else's name in small font at the bottom of the screen?' asks Sreehari Nair.
'It is very easy for me to choose different genres, but a lot of actors are still stuck in the same rut.'
'We wanted to make a true coming-of-age story since all of us have been through adolescence.' 'Most people are afraid of commenting on what these boys go through behind closed doors.' 'We just wanted to bring out that truth. People know what adolescents do, but they do not know how they do it.'
These predictions will ensure you have the perfect romantic day.
Director Raj Kumar Gupta talks about his latest film.
The film is akin to an American high school drama staged in Marie Antoinette's French quarters for teenage girls.
© 2024 Rediff.com - Investor Information - Advertise with us - Disclaimer - Privacy Policy - Feedback - About us - Terms of use - Grievances